The Asian woman in America has long been both overnamed and erased—reduced to stereotypes that obscure her humanity while fixating on her image.
In Afong Moy, a teenage girl exhibited across the U.S. as “The Chinese Lady,” we see how fascination and domination intertwine: her body staged as spectacle, her silence misread as passivity, her personhood collapsed into an object for public consumption.
That same logic shaped the law. From Chy Lung v. Freeman to the Page Act of 1875, Asian women were treated as presumptively immoral, their bodies scrutinized and excluded based on racialized assumptions.
What began as spectacle hardened into policy—ensuring that Asian women’s belonging in America has never been fully granted, only contested.
(This essay is part of the FEMINIST 250: Founding Feminists series, marking the 250th anniversary of America by reclaiming the revolution through the women and gender-expansive people whose ideas, labor and resistance shaped U.S. democracy.)
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